Passion. Experience. Artistry.
Wood and its musical possibilities have always interested me. My interest in repairing woodwinds began at an early age, in my home city of Philadelphia, where I watched the masters work on instruments for great artists like Anthony Gigliotti, Bernard Garfield and Donald Montanaro. I learned my craft, as many did, by observing and/or working under the supervision of renowned craftsmen including Michael Hammer, Mark Jacobi, Kalmen Opperman, Everett Matson and John Weir. My knowledge of clarinet acoustics and mechanics has given me the opportunity to work with some of the world's leading manufacturers in prototyping new designs and ideas including Selmer Paris, Yamaha, Vandoren, D'Addario, Brad Behn mouthpieces, Clark Fobes and others.
My interest is in helping to get your instrument to a place where it feels right for you, as an individual artist. My experience as a performer and teacher helps guide my decisions and all work is done in consultation with the player and can include improvements in mechanical operation, key placement, padding, tuning & voicing, aesthetics and custom creations. I look forward to providing excellent service or connecting you to one of my expert friends and partners.
MICHAEL NORSWORTHY’s virtuosity and unique voice on the clarinet have made him a sought after soloist and chamber music collaborator and garnered praise from critics and audiences around the globe. His performances have taken him to distinguished concert venues including Vienna’s Musikverein, Moscow’s Tchaikovsky Philharmonie Hall, New York City’s Carnegie Hall, Merkin Hall and Miller Theatre, Boston’s Jordan and Symphony Halls, St. Louis’ Sheldon Concert Hall, Festival Casals de Puerto Rico and the Aspen Music Festival.
Mr. Norsworthy is one of the most celebrated champions of the modern repertoire. To date, he has given over 125 world premieres with leading contemporary music groups, including Klangforum Wien, Boston Modern Orchestra Project, Manhattan Sinfonietta, Fromm Players at Harvard, Boston Musica Viva, Callithumpian Consort in Boston, Ensemble 21 in New York and the Pittsburgh New Music Ensemble. He has collaborated with a veritable who’s who of composers from around the globe including Pierre Boulez, Harrison Birtwistle, Elliott Carter, Chris Dench, Brian Ferneyhough, Michael Finnissy, Lukas Foss, Hans Werner Henze, Helmut Lachenmann and Magnus Lindberg among many others.
Recent seasons have included world premieres of works written for him by Michael Finnissy, Hans Tutschku and Pozzi Escot, domestic and international recital tours with pianists Marilyn Nonken, Tyson Deaton, David Gompper and Yoko Hagino, radio appearances on Boston’s WGBH, multiple performances on the Composer Portraits Series at New York’s Miller Theatre, concerto performances with the Boston Modern Orchestra Project and Manhattan Sinfonietta, concerts with the Boston Chamber Music Society, Portland Chamber Music Festival and and Midwestern tours with the Iowa Center for New Music and the Maia String Quartet.
As soloist he has performed an extensive repertoire of concerti, ranging from Mozart to Ferneyhough, with the Manhattan Sinfonietta, Boston Modern Orchestra Project, Kalistos Chamber Orchestra, Callithumpian Consort, Pottstown Symphony, Southern Illinois Symphony and Symphony Pro Musica. As a recitalist, he regularly performs with pianists Yoko Hagino, Michael Finnissy and David Gompper. Mr. Norsworthy has enjoyed chamber music collaborations with pianists Judith Gordon, Stephen Drury, Mihae Lee and Aleck Karis, violinists Harumi Rhodes, Jonathan Crow and Norbert Brainin, violists Roger Tapping and Carol Rodland, cellists Rhonda Rider and Patrick Demenga, singers Tony Arnold and Timothy Jones, saxophonist John Zorn, the Borromeo and Amernet String Quartets, and players from major orchestras in Boston, New York, Chicago, Philadelphia, London, Paris, Berlin and Vienna.
As an orchestral musician he has performed with leading groups including the Orpheus Chamber Orchestra, St. Louis Symphony, Boston Philharmonic and Boston Ballet and is currently principal clarinet with the Boston Modern Orchestra Project. As a member of the Star Wars Symphony Orchestra, he has performed for combined audiences of over 730,000 people in the USA, Canada and Mexico with the touring production “Star Wars In Concert”.
Norsworthy is interested in breaking down barriers that exist between classical music and popular and jazz as well as collaborating with artists working in other mediums. He has shared the stage with such popular and jazz icons as Herbie Hancock, Wayne Shorter, Savion Glover and Bela Fleck. He worked in the motion picture industry and toured with numerous musical theater productions as a woodwind doubler on saxophone and been presented by the New Gallery Concert Series, Cy Twombly Gallery in Houston and the Institute for Contemporary Art in Boston alongside works by major visual artists.
His current discography numbers over 50 releases and can be found on the New Focus, Albany, Mode, Gasparo, Canteloupe, BMOP/sound, ECM, Nonesuch, Navona, Cirrus Music and Cauchemar labels. Future projects include a CD of chamber music by composer Magnus Lindberg and a premiere recording of David Gompper's Clarinet Concerto with the Royal Philharmonic Orchestra in London for NAXOS.
Currently, Norsworthy on the artist faculty of the Longy School of Music at Bard College. He is in demand at schools of music around the world and has presented masterclasses and clinics at prestigious schools all over the USA, Canada, Asia, Europe and the Caribbean. He has served as artist-in-residence at Harvard University with the Harvard Group for New Music and the artist faculty at Columbia University and The Boston Conservatory and is the Massachusetts State Chairman for the International Clarinet Association. He is a Selmer Paris Artistic Advisor and an artist clinician for Vandoren SAS. As a former artist for D'Addario Woodwinds, he collaborated with D'Addario on the development of the Reserve line of reeds for B-flat clarinet and bass clarinet and with Selmer Paris on the redesign of the Privilège lines of instruments.
Mr. Norsworthy holds advanced degrees from New England Conservatory and Southern Illinois University at Carbondale, and has attended Michigan State University. His teachers include Elsa Ludewig-Verdehr, Eric Mandat, Kalmen Opperman and Richard Stoltzman. He is the recipient of many awards and distinctions, among them: The John Cage Award, Borromeo String Quartet Guest Artist Award and Southern Illinois University’s Chancellor’s Research and Creativity Award, grants from the Yvar Mikahashoff Trust for New Music, St. Louis Artist Presentation Society and St. Botolph Club Foundation and a fellowship from the Aspen Music Festival. He has written scholarly works for the New Grove Dictionary of Music and Musicians and articles for the quarterly journal The Clarinet.